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Pragmatic Fun

Some people say I have an unhealthy (but vigorous) obsession with antonyms. While my friends (and enemies, no doubt) whittle away their mornings (and evenings) scanning their Macs and PCs for videos of gullible cats and paranoid puppies, I skim and scrutinize online antonym lists. Many would consider my behavior the opposite of sane, but occasionally I stumble upon some colorful or inspiring pairing. Last night, I stumbled upon a unique coupling: pragmatic fun.

I’m perfectly aware that the average excitement explorer would likely spurn a pragmatist like a steakhouse rejects vegan patrons. Pragmatism and fun certainly share an oil-water complex and, as a unit, would be a strong candidate for oxymoron induction. Yet I reject both of these labels and believe that proactive, politically competent leaders forge an unlikely bond between these discordant words.

Conventional wisdom says that the pragmatist is gripped by a rationalism that spoils any reasonable attempt at fun. Amusement parks are rarely arenas of efficiency and streamlined direct deposit systems are not particularly exciting. The same logic would then follow that an aspiring leader should check their sense of humor at the door and submit to a career of pragmatic monotony; unfortunately there are ample case studies to illustrate this assumption. Few would accuse Mark Zuckerberg of being fun and Rod Blagojevich, in spite of Celebrity Apprentice, was not exactly rational. Yet conventional wisdom foolishly forgets that organizations are full of people and personalities.

A proactive leader understands that organizations don’t function like the alienated machines cast in Modern Times or The Matrix. To sustain a motivated and mobilized coalition you must engage your peers. Consider a skydiving president like George H.W. Bush or an eccentric mogul like Virgin CEO Richard Branson. Even pragmatic leaders like Bob Dole or Arianna Huffington find ways to create entertaining organization without resorting to transparent pageantry.

In your organization, you need to find a sincere way to reconcile competing pragmatic and fun impulses. Don’t resort to a canned Michael Scott style pep session but find ways to infuse pleasure into your workplace. Put down the human resource guide to humanity and actually talk to your peers. Every organization houses unique coalitions with unique interest. One organization’s pizza parties could be another’s Origami Club. The key is to be adaptable and engaged. It’s the first step toward marrying pragmatism and fun in your organization and divorcing yourself from the corporate drone stereotype.

I hope I’m right and pragmatic fun supports your leadership agenda. I’d certainly hate to be left.

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Strike Up the Band

Jazz superstar Wynton Marsalis’ is a virtuoso musician, educator, philanthropist, composer, author, producer, and jazz evangelist. His drive and talent have yielded nine Grammies, 30 honorary degrees, a Pulizer Prize, a Nation Medal of the Arts, and many other honors.

It’s tempting to think of these individual accolades as individual feats. But that’s not so.

It’s more appropriate to think about these kinds of accomplishments as the result of visionary leadership we normally ascribe to great politicians and Fortune 500 CEO’s.

Mr. Marsalis leads a troupe of creatives with a participatory, egalitarian, style. He is the unquestioned leader of the Jazz at Lincoln Center Orchestra, but if you have ever seen them perfom he does little to stand out from the group — until you hear him play.

He’s not a mercurial, egomaniacal bandleader in the mold of Miles Davis or Charles Mingus. Marsalis empowers others to assert leadership on the bandstand. Note, this is quite distinct from the perjoritive ‘leading from the rear,’ which describes ‘leaders’ who follow the herd, and claim to be leading people where they want to go.

Clearly a secure leader, Marsalis encourages those he leads to take a star turn. The upside is that every member of the band, who is virtuosic in their own right, has the creative room to give their best effort to achieve individual and group success. This simply doesn’t happen in the vast majority of organizations.

This is different from other bands, jazz or otherwise that may tolerate outliers. As Mr. Marsalis has been know to say, those who do not measure up, on and off the bandstand, get “sent home” because tolerating outliers and poor performers is bad for group morale.

For the unititiated, leading creatives can seem a nightmare scenario akin to herding kittens. For Marsalis it is harmony, musical and otherwise, that has kept the Jazz at Lincoln Center orchestra the world’s premier jazz ensemble.

He obviously has the bona fides to command the respect and loyalty of the orchestra. He has created a safe space where everyone has room to be emotionally invested in the creative process. Also, he is confident enough to accept that his are not the only good ideas, but that good ideas are where you find them.

Photo Credit: Windelbo